Verified Document

Cocoon Howard, 1985 Is A 1985 Sci-fi/Fantasy Film Review

Cocoon (Howard, 1985) is a 1985 Sci-Fi/Fantasy genre film directed by Ron Howard, who previously directed such films as Splash and Night Shift. Benefitting from the kindly type of aliens previously seen in E.T.: The Extraterrestrial and Close Encounters of the Third Kind, Cocoon used the advanced technologies of benevolent aliens to explore aging and the pros/cons of reversing that process. Aided by a veteran cast and superior editing/special effects, Cocoon became a hit film. General Theme/Overview, Style, Plot and Character Development

The general theme is the exploration of aging and the pros/cons of reversing the process, using the style of Sci-Fi/Fantasy. The plot involves the extraordinary results of humans interacting with kindly, advanced aliens, and the dilemmas caused by those results. Thousands of years ago, aliens from Antarea lived on the island of Atlantis on Earth. The island sank and 20 Antareans stayed behind so other Antareans would have enough life force to return to their planet. These Antareans are now awaiting rescue in pods on the sunken island. Four rescuer Antareans return to Earth disguised as humans, retrieve the cocoons and store them in a pool within a rented house in a Florida town. The pool is infused with a strong life force so the cocooned Antareans will have enough life force to return to Antarea. A few elderly residents of next-door retirement sneak into the pool, not knowing of its special powers. After swimming in the pool, these residents regain much of their youthful vigor and abilities....

They keep sneaking into the pool and are eventually caught by an Antarean, who allows them to continue using the pool. The conflict between the pro- youth and anti-youth elderly leads to an altercation in which one of the pro-youth men blurts out the secrets of the next-door pool. Elderly residents swarm to the pool, exhausting its life force. The Antareans are forced to postpone the rescue for 10,000 years, leaving empty seats on their spaceship. They offer the seats to the elderly residents, some of whom accept them because it may mean eternal youth and life; however, other elderly residents opt to stay on Earth with their loved ones, aging and dying normally. Character development is particularly striking for the elderly residents who first use the pool's life force. They go from classically aged people living boring, limited lives to young, vital beings who enjoy youthful sex lives, ballroom dancing, Olympic diving and break dancing, and are willing to explore the prospect of eternal youth and life by flying to Antarea.
Editing

Some of the most striking editing techniques enhance Don Ameche's performance. Through quick cuts, stunt people and trick shots, Don Ameche is transformed from an aged, feeble man to a youthful ballroom dancer, break dancer and Olympic diver. Though the audience knows he is elderly, the editing sometimes makes it hard to distinguish Don Ameche's movements from those of stunt people. In addition, special effects were provided by Industrial Light and Magic, which was responsible for…

Sources used in this document:
Works Cited

Howard, R. (Director). (1985). Cocoon [Motion Picture].
Cite this Document:
Copy Bibliography Citation

Related Documents

Costumes a Midsummer Night's Dream Is One
Words: 483 Length: 2 Document Type: Research Proposal

Costumes A Midsummer Night's Dream is one of Shakespeare's most whimsical plays, and therefore this production follows in its spirit. Designing costumes for A Midsummer Night's Dream allows for total creative license, as the play takes place within a fantasy world replete with fairies. The overall impact is captured well by an artist at Duke (image credit: http://sites.duke.edu/midsummer/files/2009/12/Study_for_The_Quarrel_of_Oberon_and_Titania.jpg): This image is a study for what Oberon and Titania might look like. The

How Characters Costumes Reflect Character in Les Miserables
Words: 1277 Length: 4 Document Type: Essay

Costumes in Les Miserables (1998) Directed by Bille August 1998's Les Miserables' costumes were designed by Academy Award-winning costume designer Gabriella Pescucci. Pescucci had previously won for The Age of Innocence and been nominated for The Adventures of Baron Munchausen (1993). While her work for Billie August's Les Mis would go unnominated for any major awards, the costumes are nonetheless on par with her previous work and reflect the authentic style

Othello Costumes
Words: 2379 Length: 5 Document Type: Term Paper

Othello Costumes Designing costumes for Othello, in whatever form -- play, ballet or opera, presents a few problems from the outset. First, of course, is the necessity for the costume to enhance the feeling of paranoia of Othello, a Moor in a Caucasian society. Second, Iago needs to be malevolent without being evil personified; he is, perhaps, simply overly worldly and overly ambitious, as is his wife, Emily. And third, Desdemona

Psycho Movie Costumes Analysis of
Words: 1610 Length: 5 Document Type: Term Paper

In conclusion, costumes are used in two essential ways in the film. The first is that it reinforces the sense of normalcy and creates a background that juxtaposes and heightens the horror and drama of the film. The second use of costume in the way that Bates dresses as his mother is a complete transgression of normalcy and psychologically and socially diametrically opposed to the mundane costumes worn by the

"A Midsummer's Night Dream" Play
Words: 1389 Length: 5 Document Type: Essay

Midsummer's Night Dream Acting: Were the actors believable in their roles? I did not find all of the actors particularly believable in their roles. I could not help noticing that several of the members of the cast forgot their lines or misspoke their lines, sometimes saying a line in the wrong place. Knowing the play well, this really threw me off and took me out of the moment of the performance. I

Theoni V. Aldredge Discussion of
Words: 2995 Length: 10 Document Type: Term Paper

For instance, renowned designer Barbara Matera explained that when Glenn Close first tried on the Norma Desmond costume described above, she "winced under its weight" (New York's Top Costume Shop Reveals Its Secrets 1996:3). The costume's designer, Anthony Powell, instructed Close to turn around and face the mirror, and "upon seeing the stunning result her whole attitude changed" (4). Other anecdotal accounts on the design process from Matera included:

Sign Up for Unlimited Study Help

Our semester plans gives you unlimited, unrestricted access to our entire library of resources —writing tools, guides, example essays, tutorials, class notes, and more.

Get Started Now